Another form of contemporary photography is presented here through the works of Marwa Adel where she masterly manipulates her subjects through the use of computer graphic design.
Marwa explains ‰غ،پ،€_My artwork is an attempt at showing the evolution and the infinite conflict between some fundamental forms of existence that live in a state of permanent contradiction and antagonism. It is the discovery and revelation of the relationship between form and essence, spirit and materiality, image and ideas. It is the metamorphosis of primitive to supreme, passing through humanity.‰غ،پ،پ´
‰غ،پ،€_I don't care for the outward beauty of a subject model; I use it for overall appearances. I don't take advantage of the physical form, but the emotional,‰غ،پ،پ´ she said.
In her short period of work which spans across three years. Marwa's use of text accentuates and confirms the visual message. In doing so, she technically makes use of digital and standard photography, calligraphy and computer photo-manipulation software. The extensive use of female models ‰غ،پ،پàin most cases all are acquaintances and friends, relatives or self‰غ،پ،جزis a self exploratory statement about the situation of a female in certain social dynamics; the exquisite quality of the image and the content is pleasurable, and is a quest for human desire and freedom. Adel maintains a very personal voice as her work is unique in tackling the taboo of the human figure, its sensual nudity as a form of expression and its nakedness in revolt of social restrictions. Her texts, taken from her own diary, confirm her visual message
Another form of contemporary photography is presented here through the works of Marwa Adel where she masterly manipulates her subjects through the use of computer graphic design.
Marwa explains ‰غ،پ،€_My artwork is an attempt at showing the evolution and the infinite conflict between some fundamental forms of existence that live in a state of permanent contradiction and antagonism. It is the discovery and revelation of the relationship between form and essence, spirit and materiality, image and ideas. It is the metamorphosis of primitive to supreme, passing through humanity.‰غ،پ،پ´
‰غ،پ،€_I don't care for the outward beauty of a subject model; I use it for overall appearances. I don't take advantage of the physical form, but the emotional,‰غ،پ،پ´ she said.
In her short period of work which spans across three years. Marwa's use of text accentuates and confirms the visual message. In doing so, she technically makes use of digital and standard photography, calligraphy and computer photo-manipulation software. The extensive use of female models ‰غ،پ،پàin most cases all are acquaintances and friends, relatives or self‰غ،پ،جزis a self exploratory statement about the situation of a female in certain social dynamics; the exquisite quality of the image and the content is pleasurable, and is a quest for human desire and freedom. Adel maintains a very personal voice as her work is unique in tackling the taboo of the human figure, its sensual nudity as a form of expression and its nakedness in revolt of social restrictions. Her texts, taken from her own diary, confirm her visual message
Another form of contemporary photography is presented here through the works of Marwa Adel where she masterly manipulates her subjects through the use of computer graphic design.
Marwa explains ‰غ،پ،€_My artwork is an attempt at showing the evolution and the infinite conflict between some fundamental forms of existence that live in a state of permanent contradiction and antagonism. It is the discovery and revelation of the relationship between form and essence, spirit and materiality, image and ideas. It is the metamorphosis of primitive to supreme, passing through humanity.‰غ،پ،پ´
‰غ،پ،€_I don't care for the outward beauty of a subject model; I use it for overall appearances. I don't take advantage of the physical form, but the emotional,‰غ،پ،پ´ she said.
In her short period of work which spans across three years. Marwa's use of text accentuates and confirms the visual message. In doing so, she technically makes use of digital and standard photography, calligraphy and computer photo-manipulation software. The extensive use of female models ‰غ،پ،پàin most cases all are acquaintances and friends, relatives or self‰غ،پ،جزis a self exploratory statement about the situation of a female in certain social dynamics; the exquisite quality of the image and the content is pleasurable, and is a quest for human desire and freedom. Adel maintains a very personal voice as her work is unique in tackling the taboo of the human figure, its sensual nudity as a form of expression and its nakedness in revolt of social restrictions. Her texts, taken from her own diary, confirm her visual message
This sumptuous full-color volume retraces the highlights of Egypt's twentieth-century art world through the private collection of one of Cairo's most reputable private gallery owners. The 200 colour photographs of paintings from Sherwet Shafei's collection represent works from very early art pioneers such as Mahmoud Said and Ragheb Ayad to later figures such as Hamed Nada and Youssef Sida.
In a comprehensive introduction that examines the life and career of Sherwet Safei and her pivotal role in promoting and creating a market for modern Egyptian art, the author also addresses the tendencies of emerging art collectors in Egypt's "blossoming" market, the burdens of forgery, and the impact of globalisation on the art industry.
This book serves as a repository of Egyptian cultural heritage by offering a rare viewing of a valuable collection that has yet to be displayed in its entirety.